Click the eyedropper to select a neutral color for setting the white balance. This lets you fine-tune the white balance ex post facto so you can edit and tweak in Lightroom rather than worrying about getting it right when you click the shutter.Īdjust the sliders in Lightroom left or right to change the color temperature and tint. It’s the Photo Quality setting, and the first step to achieving white balance nirvana is to shoot in RAW. However, the option that gives you the most creative freedom isn’t any of these at all. Most cameras have presets like Sunny, Cloudy, Fluorescent, etc., to make sure your white balance is properly calibrated for your given shooting conditions. You can use myriad tools to set your white balance at the time you shoot your pictures. No longer do I look for the correct white balance, but instead, I try to find an accurate white balance given how I want my pictures to appear. Realizing this helped me immensely over the years, and refocused my editing process altogether. You can make your white balance be whatever you want! It’s a tool to make your pictures look not how someone else thinks they are supposed to look, but how you want them to look. The nice thing about white balance is that, like almost everything artistic, it’s entirely subjective. It’s just one particular value that your camera thinks might be appropriate given the algorithms it has been programmed with by the manufacturer. However, that doesn’t mean it’s the correct white balance. All cameras have an Auto white balance setting, which tries to interpret color based on an analysis of the perceived lighting conditions at the time a shot is taken.
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